Nancy Meeter Owens (Modern) – Nancy began her dance training as a child in Southern California. She began her professional studies in ballet with Richard Ellis, Christine DuBoulay, and Rosemary Doolas, in modern with Nana Shineflug, Tara Mitton, and Anna Czajun, and jazz with Lou Conte, Claire Bataille, and Joel Hall. She performed and toured with the Chicago Moving Company for six years, and performed as a guest artist. Nancy received her B.A. in Dance Performance and Education from Northeastern Illinois University and her M.F.A. in Dance from the University of Iowa. Nancy was the Artistic Director for Mountain Shadows School of Dance in Great Falls, Montana. She also owned her own studio, The Montana Movement Center. She served on the Board of Directors of the Montana Dance Arts Association and worked for the Great Falls Symphony Association as a choreographer and Ballet Mistress. Nancy has also taught at St. Mary’s College and has been a guest teacher recently for several studios on the east coast.
Elena Oring (Stretch, Ballet) – Elena started to dance when she was four years old in the Chelyabinsk Pioneer Palace. When she was ten years old, she began studies at the Chelyabinsk Opera Academy – where she studied ballet, historic dance, and folk dance for eight years. Elena’s teachers were Sofya Tulubyeva and Svetlana Adyrhaeva from the Leningrad Academy – and other great teachers from the Chelyabinsk Opera Academy. Two of the best dance teachers in the city, Natalya Kartasheva and Igor Kitaev, were her teachers for folk dance. Elena danced at the Chelyabinsk Opera Academy when she was ten years old in La Bayadere, Sleeping Beauty, and Little Red Riding Hood, and later danced in The Nutcracker Suite, Glazunov Seasons, and secondary roles in other ballets. After a back injury, Elena began teaching in dance schools and gymnasiums in Chelyabinsk and Krasnodar. Since coming to the United States in 2012, Elena has been able to resume her teaching career at Abigail Francisco School of Classical Ballet, teaching character, folk dance and Ballet.
Andrea Cooper (Ballet, Tap) – Andrea began dancing at the age of three and hasn’t stopped. She has received training in tap, ballet and jazz. As a dance student she traveled to Atlantic City each summer to perform in Tony Grant’s Stars of Tomorrow on the Steel Pier. While majoring in textiles and design at the University of Maryland, she continued her dance studies with the University and participated in several variety performances. Upon graduating, and becoming an Air Force wife, she danced and performed with a local performing arts company in Texas. She had the opportunity to assist with the choreography as well as perform in the musical production Brigadoon. After traveling around the United States and Europe, Mrs. Cooper returned to the Washington D.C. area and has resumed her dance studies on a continuing basis, training in both NYC and Washington D.C. each summer. In April 2007, she attended the Dance Open Festival in St. Petersburg, Russia.
Heather Oakley (Ballet) – Heather has been studying dance for over 30 years. She has studied with Abigail Francisco, Irena Prochotsky (Washington Ballet Center), Adrienne Dellas (Kirov Academy), and many others. Heather also majored in Ballet with an emphasis on performance at Point Park College in Pittsburgh, PA (Susan Stowe, Nicholas Petrov, Ron Hutson, and others). She has studied at the College of Southern Maryland pursuing a degree in dance. Heather has performed throughout Maryland, Virginia, and Pennsylvania in such ballets as Les Sylphides and La Bayadere as a soloist and in The Nutcracker as Snow Queen and Arabian. In 2009, Heather joined the D.A.R.E. after school program to teach high risk students the joy of dance. She continues to dance and teach throughout the area.
Cati Kingsbury (Fusion Jazz) – Cati started dancing in 1998, taking Brazilian samba/axe classes for fun, before being invited to join a dance show team. As part of the show team, she participated in Dance Festivals throughout South America. She then studied to become a street dance teacher, starting her own dance crew and participating in various local, regional and national tournaments throughout Brazil. Soon after, she began teaching and choregraphing Street Dance in schools in her hometown and helped bring Street Dance as a required class to help teach creativity and movement. In 2014, she traveled to France to represent Brazil in the Just-Debout Competition, performing in commercial campaigns, Brazilian dance shows and had the opportunity to work with the Brazil Ragga Jam team. It was also in 2014 that she was invited to attend the Broadway Dance Center in New York City. Since coming to the United States, she has danced in New York and California before settling in Maryland, where she has been teaching for the past two years.
Audrey Schultz (Ballet, Musical Theater) – Audrey has been dancing for over 20 years and recently graduated from the Ann Lacy School of American Dance and Entertainment with a degree in Dance and Arts Management. While in school, she took courses in teaching, choreography, and tap, jazz, and ballet technique with top-ranked professors. Audrey performed in the annual Home for the Holidays and Broadway Revue shows with the American Spirit Dance Company, as well as served as a Sound Technician, Assistant Stage Manager, and Assistant Company Manager. Other past credits include Raymonda (Raymonda), Beauty and the Beast (Enchantress), Coppelia (Doll), and Cinderella (Autumn Fairy). Audrey is excited to share her years of training and education with more students as she joins the faculty at the Abigail Francisco Classical Ballet School.
David Reesman, Creative Director – David Reesman was born in Pittsburgh, PA, graduating with a degree in Graphic Design. After years of retail advertising experience, he moved into the area of Visual Merchandising for a chain of retail furniture stores. His responsibilities included traveling between stores, setting the visual merchandising standards for the company, as well as the stylist for magazine editorials and a variety of advertising materials, many corporate television appearances on local design shows and HGTV. For the last few years David has decided to remain near home and has focused on building an interior design business of his own, taking the many years of experience in retail merchandising and passion for interiors and combining them. This has allowed him to work on a wide array of projects in both the private sector and business areas. Mr. Reesman’s discerning aesthetics deliver a remarkable and energizing staging. David has been working with Abigail Francisco School of Classical Ballet for the last four years as Creative Director, selecting music, costumes, scenery and creating the overall aesthetic for the school’s spring performance. In 2013 he began consulting with architects and builders to re-design and expand the school to better serve current and future students.
Becky Arden, School Administrator – Becky graduated from Temple University in Philadelphia, PA in 2011 with a degree in Journalism, with an emphasis in Broadcasting. She is a former student of Abigail Francisco, dancing under her for approximately ten to twelve years. She traveled to St. Petersburg, Russia in 2007 with Ms. Abigail to attend the Dance Open Festival and take classes with International Ballet Instructors. She continues to dance in Finale, Jazz and Alumni numbers in the annual Spring Production. Becky relocated back to Southern Maryland a few years ago after living in Philadelphia for eight years. She hopes to bring new, fresh ideas as well as continue the long-lasting traditions that have built Abigail Francisco School of Classical Ballet.